United Sons of Toil - Mimetic Contagion
from United Sons Of Toil Vs. Lars Bang Larsen by The United Sons of Toil/Lars Bang Larsen
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about
A political prisoner feeds his own self-importance by viewing all those who oppose, disagree, or shun his cause as devils. He views his imprisonment and mistreatment as a sort of martyrdom and himself as a glorious folk hero who is strong enough to be punished for his convictions. Dying for the cause becomes more important than pushing it forward. And yet doubts linger...
lyrics
The devils' eyes are at the door.
Evisceration scream the poor.
Vainglorious and foolhardy.
Willingly supine the fools chart me.
Does the sorrow make us stronger or destroy us from within?
My mind protects the broken hearts.
Warren of snares, the wire starts.
Vainglorious and foolhardy.
Willingly supine the fools chart me.
Does the sorrow make us stronger or destroy us from within?
Evisceration scream the poor.
Vainglorious and foolhardy.
Willingly supine the fools chart me.
Does the sorrow make us stronger or destroy us from within?
My mind protects the broken hearts.
Warren of snares, the wire starts.
Vainglorious and foolhardy.
Willingly supine the fools chart me.
Does the sorrow make us stronger or destroy us from within?
credits
from United Sons Of Toil Vs. Lars Bang Larsen,
track released June 23, 2011
Recorded and mixed March 2011 at LO/LO Studios, Madison WI USA by Jason Jensen and Russell Hall. Mastered by Dirk Simmig, 0dB Studio, Hamburg.
Recorded and mixed March 2011 at LO/LO Studios, Madison WI USA by Jason Jensen and Russell Hall. Mastered by Dirk Simmig, 0dB Studio, Hamburg.
license
tags
about
The United Sons of Toil Madison, Wisconsin
Precision Midwestern noise-rock delivered by populist theoreticians.
discography
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May 2012 -
Mar 2011 -
Jun 2011 -
May 2008 -
Jul 2007
contact / help
The United Sons of Toil recommends:
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Let It Come From Whom It May
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The Rise Of Disaster Capitalism
by Tyranny Is TyrannySecond record: more sparse post-punk as well as more open-ended, harmonically daring territory. Still heavy, but with an increasing emphasis on subtlety and dynamics.
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